“真实”的“改写”与“新中国”想象——论《太阳照在桑干河上》与《暴风骤雨》的叙事意识  

"Authentic Rewriting" and the Image of "New China"——the Narrative Ideology of The Sun Shines over the Sanggan River and Violent Storm

作　　者：袁红涛[1] 

机构地区：[1]上海市社会科学院文学研究所,上海200235

出　　处：《学术探索》2011年第1期127-131,共5页Academic Exploration

摘　　要：在现当代文学叙事发展进程中考察,《太阳照在桑干河上》与《暴风骤雨》两部小说所呈现的乡村社会图景的差异并不仅仅是"真实"程度的问题,实则内含着在现代文学向当代文学转型时刻,从叙事方式的选择、叙事结构的设计、作家叙事意识的自觉等方面递嬗演进的生动信息,体现了这一时期关于"新中国"想象的急剧进展。A research on the modem and contemporary literature reveals that the differences in rural social panorama as presented in the two novels, The Sun Shines over the Sanggan River and Violent Storm, suggest not merely the degree of ＂authenticity＂ but also the time of the transition from modem literature to contemporary literature. The evolutions of the selection in narrative style, the design of narrative structure and the consciousness of the writers＂ narrative idea embody the radical development in the imaginations on ＂new China＂.

关 键 词：“真实” 叙事意识 叙事结构 “新中国”想象 

分 类 号：I206.7[文学—中国文学]