解构诗学与汉语文化重构——以郑敏的解构理论批评为个案  

Deconstructive Poetics and Reconstruction ofChinese Culture:The Case of Zheng Min

作　　者：伍方斐[1] 

机构地区：[1]广东外语外贸大学,广州510420

出　　处：《广东外语外贸大学学报》2011年第1期11-15,共5页Journal of Guangdong University of Foreign Studies

基　　金：广东省"211工程"三期"人文学中心建设"重点项目"后现代主义与人文学的建构"(GDUFS211-2-005)的阶段性成果

摘　　要：后现代主义在中国的传播和本土化,经历了一个从侧重"解构"到强调"建构"的过程。郑敏的解构诗学着眼于语言与传统、意识形态与文化选择、西方中心论与中西二元对立等问题,试图运用解构方法来解构"现代"、重构"传统",探索后现代语境下汉语文化重构的可能。Postmodernism has undergone a focal change from ＂deconstruction＂ to ＂construction＂ when it sees its spread and localization in China. The deconstructive poetics proposed by Zheng Min concentrates on the language and traditions, ideology and cultural choice, West-centered Theory and Chinese and Western Binary Opposition. Based on those discussions and by means of deconstruction, Zheng Min attempts to deconstruct the ＂modern＂ , reconstruct the ＂tradition＂ , and explore the reconstruction of the Chinese culture in the post-modern context.

关 键 词：解构诗学 后现代主义 郑敏 文化重构 

分 类 号：I206.7[文学—中国文学]