《到十九号房间》的美学蕴涵——从“愚人船”上的疯女人之死看莱辛的哲学思想  

Aesthetic Implication of Lessing's To Room Nineteen

作　　者：符贞[1] 

机构地区：[1]南阳师范学院外国语学院,河南南阳473061

出　　处：《南阳师范学院学报》2011年第1期91-94,共4页Journal of Nanyang Normal University

基　　金：河南省社科联;经团联2010年度项目研究阶段性成果(SKL-2010-670)

摘　　要：复杂的思想和人生经历使当代著名作家莱辛转向并吸取了苏菲神秘主义的思想精髓,同时转化为自己的人生哲学。在其著名短篇《到十九号房间》中,莱辛通过互文、象征等形式展示了主人公由健康到疯癫,最终走向死亡的心路历程。莱辛借助死亡,表现了对人类永恒自由理想的向往,表达了对个体自我和谐状态,乃至整个人类命运的哲学和美学思考。Owing to the complicated thought and life experience,contemporary eminent novelist Doris Lessing turned to and absorbed the essence of mysterious Sufism,which was assimilated into her own life philosophy.In her famous short story To Room Nineteen,Lessing shows the readers the protagonist＇s life journey from health to madness,and final suicide,through her mastery employment of intertextuality and symbolism.By means of death,Lessing voiced her wish for man＇s perpetual dream for freedom,and her philosophical and aesthetic thinking upon individual＇s harmonious inner condition and human beings＇ destiny at large.

关 键 词：《到十九号房间》 莱辛 哲学审美 

分 类 号：I106.4[文学—世界文学]