“唯美”与“颓废”之死——关于《银杏之果》与《沉沦》之接受的比较研究  

"Aesthetic" Death and "Decadent" Death——Comparative Study of Reception between Fruit of Gingkgo Tree and Perdition

作　　者：丁增武[1] 

机构地区：[1]合肥学院中文系,安徽合肥230601

出　　处：《温州大学学报（社会科学版）》2011年第2期74-79,共6页Journal of Wenzhou University：Social Science Edition

摘　　要：同样作为西方唯美-颓废主义思潮在五四文坛传播的产物,《银杏之果》与《沉沦》在同为"自杀"的故事情节中,表现出大相径庭的艺术趣味和人生追求:《银杏之果》明显体现了注重精神情趣的沃尔特.佩特的"刹那主义"的影响,而《沉沦》则在对"外在压迫"和"悲痛感"的强调中走向"颓废"的反抗,凸显出20世纪20年代知识分子中存在的两种不同的艺术观与人生观。As the fruits of spreading of aestheticism and decadence in the literary arena during the period of the May 4th Movement, Fruit of Gingkgo Tree and Perdition reflected their quite different artistic interest and life pursuit through the same plot of story about suicide. In the plot, Fruit of Gingkgo Tree was obviously influenced by Walter Pater＇s ＂momentism＂ which pays attention to spirit spice, while Perdition selected ＂decadent＂ revolution through emphasizing on ＂external oppression＂ and ＂bitterness＂. All these two focuses revealed two different outlooks on art and life among the intellectuals in the 1920s.

关 键 词：《银杏之果》 《沉沦》 自杀 唯美-颓废主义 

分 类 号：I246[文学—中国文学]