“畸人乘真,手把芙蓉”——论《庄子》畸人之丑的魅力  

On Charm of the Ugliness of the Deformed Figures in Zhuang Zi

作　　者：丁媛[1] 吴铁柱[1] 

机构地区：[1]哈尔滨师范大学恒星学院,黑龙江哈尔滨150001

出　　处：《绥化学院学报》2011年第1期72-74,共3页Journal of Suihua University

摘　　要：《庄子》中的畸人不仅相貌怪异,而且是游离于主流世界之外的、没有话语权的被漠视的群体。但其丑陋的形象,充沛的德行反而使其具有独特的魅力,即安时处顺,通过主体向内的转向,追求个体心灵的真正解放和逍遥。这在艺术上给予我们的启示是使艺术家不再仅仅追求形象外形的完满,而更加注重其内蕴和精气的充实。the Deformed Figures in Zhuang Zi look weird, and what＇s more, they have no discourse rights and are marginalized by the mainstream world. But their ugly image anti abundant virtue give them special charm, that is, being content with one＇s lot and the pursuit of true liberation and carefree state in the way of subject＇s turning inward, which provides us with the enlightenment that we should have an artist not only just seek for perfection of the external forms of images but also attach importance to enrichment of their connotations and essence.

关 键 词：畸人 丑 自由 

分 类 号：I207.2[文学—中国文学]