论中元节与张燕玲《此岸,彼岸》的文化创作  

On the Cultural Creation in This Side and the Other Side of Taiwan Strict by Zhang Yanling Starting from the Hungry Ghost Festival

作　　者：侯艳[1,2] 

机构地区：[1]贺州学院中文系,广西贺州542800 [2]华东师范大学中文系,上海200062

出　　处：《重庆邮电大学学报（社会科学版）》2011年第2期111-114,共4页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：2008年广西哲学社会科学"十一五"规划项目:桂军文学中当代女性文学创作的文化研究(08BZW003);2009年广西教育厅科研面上项目:贺江流域族群当代人文精神构建的文化研究(200911MS253)

摘　　要：中元节饱含着中国祭祖与鬼信仰文化的传统,具有浓郁的宗教色彩,体现了中国文化真善美的本质特征。张燕玲的散文作品《此岸,彼岸》将台湾中元节倾城倾家、非凡热闹的祭祀场景与台湾大陆老兵苦海无涯的生活状况联系在一起描绘,穿过深蕴中国传统文化内涵的台湾中元节,展示出台湾人与台湾大陆老兵深层的文化乡愁以及作者深广的文化乡愁创作情怀、对生命哲学关怀的创作精神和对文学真、善、美的创作追求,《此岸,彼岸》由此获得了丰富的文化内涵。The Hungry Ghost Festival which contains Chinese tradition of ancestor-worship and ghost-belief culture has full religious color,and embodies the essential characteristics of the truth,the beauty and the goodness in Chinese culture.In her prose This Side and the Other Side of Taiwan Strict,Zhang Yanling describes the veterans＇ miserable lives in a bustling atmosphere of the sacrificing scenes during the Hungry Ghost Festival in Taiwan.Through describing the Chinese traditional cultural Hungry Ghost Festival,the author shows the deep-rooted cultural homesickness of the Taiwan Residents and the veterans from the mainland,as well as her deep feeling of homesickness through writing.It also shows her concerns about lives and her pursuit of the truth,the beauty and the goodness through writing.Thereby,the essay is endowed with rich connotation.

关 键 词：张燕玲 中元节 《此岸 彼岸》 文化创作 

分 类 号：I206.7[文学—中国文学]