中国古代小说观念述评  

Review the Concept of Ancient Chinese Novels

作　　者：熊明[1] 

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《淮阴师范学院学报（哲学社会科学版）》2011年第1期73-86,140,共14页Journal of Huaiyin Teachers College(Social Sciences Edition)

基　　金：2010年度辽宁省社科基金项目(L10BZW008)

摘　　要：中国古代小说可以说是中国古代文学中十分独特的一类,这不仅体现在小说自身的文本类别与形制等方面,也体现在人们对小说的态度与认识方面。自《庄子》中首次使用"小说"一词,历代以来,"小说"总随着时代的变迁而有不同的内涵,这显然源于不同时代的人们对小说的态度与认识的不同,亦即人们小说观念的差异。综观之,以班固《汉书.艺文志》及刘知几《史通》为代表的亦子亦史的小说观,一直是中国古代正统的小说观,占据着主流话语地位,但在这种主流的小说观念之外,视小说为游戏三昧之笔的观念却也顽强地坚持着,并最终带着中国古代小说走向了近代。Ancient Chinese novels are very unique in the ancient literature,which reflect not only in the type and form of the text,but also in people's attitudes and understanding of the novel.Since the first use of 'novel' in the 'Zhuang Zi',the 'novel' has different connotations with changing times,which obviously comes from different understanding and attitudes of the people in different ages.The concept of the novel in 'Han ? Art and Literature' by Ban Gu and 'History' by Liu Zhiji is regarded as the representative and occupies a position of mainstream discourse.However the idea that the novel is the game is stubbornly persisted,and eventually modern Chinese novel occurs.

关 键 词：小说 子流之小道 正史之外乘 游戏三昧 

分 类 号：I207.41[文学—中国文学]