从文本回归抒情——法国当代诗歌评述  

Return to Lyricism——On Contemporary French Poetry

作　　者：车琳[1] 

机构地区：[1]北京外国语大学法语系,北京100089

出　　处：《外国文学》2011年第2期78-88,158-159,共11页Foreign Literature

基　　金：国家社科基金资助项目"当代外国文学纪事丛书:1980-2000"(06AWW001)

摘　　要：当代法国诗歌欣然接受诗歌传统的历史遗产和东西方各国诗歌的积极影响,将传统与现代、现代与后现代、怀旧与先锋、诗歌与散文、抒情与客观等一系列对立元素融会贯通,风格各异的诗歌表达方式都共存于同一时代和空间。法国当代诗人们或回归传统,或继续探索求新,辛勤地耕耘着诗歌这片田地,虽不见一枝独秀的局面,却呈现出一种百花齐放的态势。尽管没有波澜壮阔的诗歌运动,没有统一的思潮和流派,但这种前所未有的多元化创作实践体现了法国诗歌强盛的生命力和法国文化的包容性。本文力图展现1980年以来当代法国诗坛的面貌和诗歌发展趋势,梳理和评述其主要创作倾向以及一些具有代表性的创作实践活动。Contemporary French poetry embraces the historical legacies of poetic tradition and the positive influence of poetry of both Western and Eastern cultures,combining skillfully such opposite elements as tradition and modernity,modernism and post-modernism,regression and avant-gardism,poetry and prose,lyricism and objectivity,and employs various poetic forms in a 'extreme contemporary' period and space.Whether reverting to tradition or pursuing innovation,French poets are the cultivators of a flourishing garden of poetry.Despite the absence of great poetic movements or unified thoughts and schools,the unprecedented pluralism of poetic creation reflects the remarkable vitality of French poetry and the all-embracing nature of French culture.Based on the writer's reading experience of more than two years,this paper attempts to demonstrate the current situation and the trends of contemporary French poetry from the 1980s,and to categorize and comment on the main poetic styles and representative poetic practices.

关 键 词：法国当代诗歌 “形式主义” “新抒情派” 多元化创作实践 

分 类 号：I565[文学—其他各国文学]