论平江不肖生的“奇侠”路向  

On the Creative Orientation of Pingjiangbuxiaosheng's "Fairy "

作　　者：韩云波[1] 

机构地区：[1]西南大学文学院学报编辑部,重庆北碚400715

出　　处：《重庆三峡学院学报》2011年第2期42-47,共6页Journal of Chongqing Three Gorges University

基　　金：教育部人文社会科学研究规划基金项目"‘后金庸’武侠小说与武侠文化现象研究"(07JA751029;项目负责人:韩云波);重庆市社科规划项目"中国武侠小说发展道路研究"(2009YY05;项目负责人:韩云波)阶段性成果

摘　　要：平江不肖生在1923年开创中国现代武侠小说新局面之时,从"无稽"到"荒诞",他首创了"理之所无,事或有之"的"奇侠"观,遵循的是证伪主义的思维逻辑。在小说的形式结构上,以突出"奇"的特色为核心,自由穿行于幻想与现实之间。他的这种"奇侠"创作路向,不仅是奇幻武侠的创作方法,也极大地影响到他的现实武侠。"奇侠"的创作路向,对于认识今天的奇幻文学,仍然有着积极的意义。In 1923,Pingjiangbuxiaosheng created firstly the fairy concept ＂concept maybe is no while reality is yes ＂,which followed falsification logic,when he also began a new situation,from ＂being ridiculous＂ to ＂absurdity＂ of modern Chinese martial novels.He highlights the ＂add＂ as the core on the structure of the novels,going freely through the fantasy between reality.The orientation of his creation of a ＂fairy＂ is not only the creating way of martial novels,but also greatly influences his realistic martial arts.Today,this method,still has a positive significance in appreciating the present ＂fantasy＂ literature.

关 键 词：平江不肖生 江湖奇侠 侠义英雄 奇幻小说 武侠小说 

分 类 号：I206.6[文学—中国文学]