中国现当代文学理论之文学反映论批判  

A Critical Thinking of Literary Reflection Theory of Modern and Contemporary Literary Theories in China

作　　者：朱丕智[1] 

机构地区：[1]重庆师范大学学报编辑部,重庆400047

出　　处：《重庆三峡学院学报》2011年第2期83-92,共10页Journal of Chongqing Three Gorges University

基　　金：重庆市哲学社会科学规划项目"中国现当代文学理论基本问题探析"(2009yy15)研究成果

摘　　要：中国现当代文学理论中的文学反映论经历了宽泛的社会联系的现象反映论、先在的认识论的本质反映论、现象与本质相统一的文学反映论几个阶段。文学上的社会认识性的本质反映论,将文学引向了社会性认识的道路,悖离了文学作为艺术性、审美性精神产物的本性,产生了许多理论认识上的偏误和问题。艺术性、审美性才是文学最核心的本质,社会性认识的东西必须在其统摄之下,才能获得有限制的一定程度的表现。Literary reflection theory of modern and contemporary literary theories in China went through such stages as the theory of general social-connection phenomenon reflection,the theory of preexistent epistemological essence reflection,and the theory of appearance-and-essence-unified literary reflection.The literary theory of socially epistemic essence reflection leads literature to the road of being socially epistemic,and thus literature stays away from the nature of the artistic and esthetic spiritual product,with a lot of cognitional deviations and problems in theory arising.Artistry and esthetics are the core nature of literature,and the socially epistemic points must be in a secondary position so that they can be reflected in a restricted degree.

关 键 词：中国现当代文学理论 文学反映论 社会认识论 艺术性 审美论 

分 类 号：I206[文学—中国文学]