从顺应论看刘姥姥的语言艺术  

GRANNY LIU'S LANGUAGE ARTS FROM THE PERSPECTIVE OF ADAPTATION THEORY

作　　者：彭有明[1] 曹晓霞[1] 

机构地区：[1]黄冈师范学院文学院,湖北黄冈438000

出　　处：《南阳理工学院学报》2010年第5期1-4,64,共5页Journal of Nanyang Institute of Technology

摘　　要：刘姥姥作为《红楼梦》中的一个小人物,性格十分鲜明,虽然只出现过三次,但是她的语言给我们留下了深刻的印象。从社会语用学中顺应原则的角度,我们通过对刘姥姥的会话进行穷尽性的分析发现,刘姥姥特别顺应空间语境和人文语境,能根据说话当前的语境来调整自己的话语,从而达到自己的目的,取得较好的交际效果。这体现了刘姥姥高超的会话技巧,也把她塑造成了一个善于言辞的艺术形象。As an unimportant figure in A Dream of Red Mansion,Granny Liu＇s character is very clear. Although she appeared only three times,her language left a strong impression on us. From social-pragmatics point of view,by conducting a detailed analysis of Granny Liu＇s conversation,we find that Granny Liu was good at using spatial context and humanities context; she could adjust her own ends and good communication effects,which not only displays Granny Liu＇s superb speaking skills,but also molds her as an artistic image of eloquence.

关 键 词：刘姥姥 顺应 语言艺术 

分 类 号：H030[语言文字—语言学]