神理凑合,自然恰得——王夫之“情景”论新解  

"Integration of Spirit with Truth,Naturally Produced Poem":New Explanation of Wang Fuzhi's "Emotion and Scene" Theory

作　　者：袁愈宗[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《广西师范大学学报（哲学社会科学版）》2010年第6期34-37,共4页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：中国古代文论中的"情景"论始自先秦。从宋代到明代,情景理论成为许多批评家关注的中心。但是在论述情与景的关系时,大部分都是从诗歌的外部形式结构方面来谈的。王夫之的情景理论以他对"神"、"理"的理解为基础,情与景的浑然无迹,就是"神理凑合,自然恰得"。对于"神"、"理"这两个概念的理解,必须追溯到他的哲学思想。王夫之的诗学观是其哲学思想在诗学领域里的延伸。他的诗学思想之所以深刻、富有独创性,也正在于此。他在前人的基础上,以其哲学思想为基础,完成了对情景理论的全面总结。Literary theories discussing ＂Emotion and Scene＂ theory in ancient China dates back to the pre-Qin period.＂Emotion and Scene＂ theory became the focus of many critics from the Song dynasty to the Ming dynasty. But when it comes to the relationship between emotion and scene,most of them discuss it from the aspect of the external form and structure of a poem.Wang Fuzhi＇s ＂Emotion and Scene＂ theory is based on his understanding of spirit and truth.Combining emotion with scene is ＂to integrate spirit with truth,and a poem can be produced naturally＂.Wang Fuzhi＇s understanding of the concept of spirit and truth should be traced back to his philosophy.His viewpoint of poetics is the extention of his philosophy in the field of poetics,and that is what makes his thought of poetics profound and unique.On the basis of his predecessors,he completed a comprehensive summary of ＂Emotion and Scene＂ theory.

关 键 词：王夫之 情景 神 理 自然 

分 类 号：I209.49[文学—中国文学]