流变中的非物质文化遗产——长白山地域影响下满族剪纸表现手法的传承与发展  

Intangible Cultural Heritage in Changes——The heritage and development of the Manchu paper-cutting performance under the influence of Changbai Mountain region

作　　者：王纪[1] 

机构地区：[1]通化师范学院美术系,吉林通化市134002

出　　处：《内蒙古大学艺术学院学报》2010年第4期19-26,共8页Journal of Art College of Inner Mongolia University

基　　金：国家社会科学基金艺术学重点项目"中国少数民族剪纸艺术传统调查与研究"(项目编号:09AF006);吉林省哲学社会科学规划项目"满族民间美术传承与流变研究"(项目编号:2007107)的阶段性研究成果

摘　　要：满族剪纸传统表现手法有剪、熏、衬、烧、撕,其中剪的技艺得到了传承和发展,由原来的"插剪"发展出"掏剪""连接线""短线"等方法。这些技法的产生源自民间艺人对空间表达的需求,更重要的它是在长白山地域、材料、满族剪纸传统的特定剪技的前提下形成的独特表现手法,也成为今天满族剪纸技艺的识别系统。The traditional Manchu paper - cut has the technology of smoked, lining, burning, tearing, among which cut has been inherited and developed, the original＂ plug cut＂ developed into＂ dig cut＂, ＂cable＂, ＂short line＂. These techniques have developed from the spatial expression of folk artists, more importantly, the unique technique of expression are closely related to the Changbai Mountain area, materials, and Manchu traditional paper - cutting technology under the premise of a particular cut formation, and it has become today＇s Manchu papercut art identification system .

关 键 词：满族剪纸 长白山地域 材料 剪技 表现手法 传承 发展 

分 类 号：J528.1[艺术—艺术设计]