论鲁迅小说的意象与意蕴  

Images and Implication in Lu Xun's Novels

作　　者：肖国栋[1,2] 

机构地区：[1]东北师范大学文学院,长春130024 [2]齐齐哈尔大学文学与历史文化学院,齐齐哈尔161006

出　　处：《天津大学学报（社会科学版）》2011年第2期177-181,共5页Journal of Tianjin University：Social Sciences

基　　金：黑龙江省教育厅人文社会科学基金资助项目(11552312)

摘　　要：鲁迅的小说创作始于对民族生存危机的清醒认知,而这种危机感最深刻集中地沉淀在他关于死亡的叙事之中,并由此展现了死亡施、受双方的复杂形态与关系,反思了民族历史与文化的非人性,更反思了启蒙者置身其中的宿命式痛苦及其身份与作用,从而彰显出死亡叙事的丰富意蕴。Lu Xun＇s novel creation originates from his clear understanding of to the nation＇s existence crisis, which precipitates in his narrative of death deeply and concentrately. The complicated types and relationship between death doer and receiver are unfolded, through which this paper reflects the inhumanity of the national history and culture, and also reflects the enlighter＇s doomed suffering, his identity and roles in the midst of it, thus revealing the abundant implication of death narrative.

关 键 词：鲁迅 死亡叙事 狂人意象 看客意象 孤独者意象 

分 类 号：I210.6[文学—中国文学]