论《故事新编》空间视阈下的个体境遇与人物性格  

On Individual Circumstances and Characterization in the Spatial Visual Threshold of New Stories

作　　者：熊岩[1] 王建明[1] 

机构地区：[1]南昌大学人文学院中国语言文学系,江西南昌330031

出　　处：《南昌大学学报（人文社会科学版）》2011年第2期121-126,共6页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：江西省高校人文社会科学研究项目"多元研究视阈下的鲁迅小说艺术"(WX0805)

摘　　要：《故事新编》是鲁迅晚年贡献给中国乃至世界的又一伟大文学作品。《故事新编》所营造的极度错裂与充满冲突的空间形态,是作为启蒙者的鲁迅对其个体生命在社会存在状况体认的结果。这种强烈的主体意识使得《故事新编》在审美精神上具有荒诞与冷硬、沉郁的特点,而它的人物塑造也显示与一般历史小说完全不同的独特性。New Stories is another great literary work contributed to China and the world by Lu Xun in his later years. The anfractuous and conflict spatial pattern,which the New Stories had created, results in the enlightener Lu Xun＇ s realization of man＇ s social existence to themselves. The subject consciousness made the New Stories＇ aes- thetic spirit fantastic, chilling and gloomy. And the characterization in the stories shows its own uniqueness differs from general historical novels.

关 键 词：鲁迅 《故事新编》 空间视阈 存在境遇 人物性格 

分 类 号：I210.96[文学—中国文学]