陆机《演连珠》中的音乐美学思想——陆机音乐美学思想系列研究之三  

On the Aesthetic Thoughts of Music in LU Ji's Yanlian Zhu:Third of Serial Studies of Aesthetic Thoughts of LU Ji's Music

作　　者：刘亚男[1] 

机构地区：[1]西华师范大学音乐学院,四川南充637009

出　　处：《内江师范学院学报》2011年第3期120-122,共3页Journal of Neijiang Normal University

摘　　要：为加强说理,陆机《演连珠》大量使用音乐设喻,其中蕴含了丰富的音乐美学思想。这些思想大致可分为四个方面:至乐乃"道",不可传承;乐在德而不在器;音乐接受的曲高和寡与音乐欣赏的适时自足;音乐创作、表演、配器等美学思想。To strengthen his argument,LU Ji employs a large amount of exposition which implies rich aesthetic thoughts of music.These thoughts have four aspects： the perfect music as the conduct which cannot be inherited,music decided by one＇s moral instead of by his instruments,the elegant music with less people chorusing and self-satisfaction in enjoying music,and the aesthetic thoughts concerning music creation,performance and instruments employed.

关 键 词：《演连珠》 音乐美学思想 乐道 乐德 音乐接受 

分 类 号：J60[艺术—音乐]