论李白王维在曲词写作上的分野——兼论盛唐诗歌为中国文学的第二次自觉  

On the Interfluve of the Field of the Quci Writing between Li Bai and Wang Wei

作　　者：木斋[1] 

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《齐鲁学刊》2011年第2期118-124,共7页Qilu Journal

基　　金：国家社科基金项目"唐五代声诗曲词发生史"(09BZW041)

摘　　要：盛唐文学的自觉,是词体形成的深层次原因。盛唐诗坛对于诗歌中情爱题材的回避,为词体形式出现在情爱题材上提出了需要。盛唐对于初唐宫廷诗和宫廷应制方式的批判,客观上提出了一种新的宫廷文学形式出现的要求。王维与李白虽然同为盛唐文学自觉的旗帜,但王维更为代表正统的士大夫集团,而李白天宝初年的宫廷供奉生活,则成为了李白写作宫廷应制词作的契机。The Tang Literature self-realization is the deep reason of the forming of Quci.It puts forward demand of the love subject of Quci form for the poetic world of the Flourishing Tang avoiding this subject.And it raises a claim to a new court literature form objectively for the Flourishing Tang criticizes the Imperial Court Poetry and Yingzhi form in the Early Tang Dynasty.Though both of Wang Wei and Li Bai are the representatives of the literature self-realization in the Prosperous Tang literature,Wang Wei represents much more scholar-bureaucrat group;and the experience of the Court during the early Tianbao gives Li Bai a chance to create the form of Quci.

关 键 词：李白 王维 曲词写作 分野 

分 类 号：I207.209[文学—中国文学]