论莫言艺术想象的民间资源及其表现  

ON the Folk Resources and Its Expression of Mo Yan's Artistic Imagination

作　　者：王恒升[1] 

机构地区：[1]潍坊学院文学与新闻传播学院,山东潍坊261061

出　　处：《齐鲁学刊》2011年第2期156-160,共5页Qilu Journal

基　　金：山东省社科联重点科研课题"地域文化对文学创作影响力研究--以莫言的小说创作为例"(09-ZZ-WH-17);山东省文化艺术科学重点课题"莫言小说创作与高密地方文化关系研究"(2009141)

摘　　要：民间文化资源是莫言艺术想象的动力源之一,它在莫言的艺术想象中主要呈现为两个层面:民间故事、民间传说、民间艺术、民间习俗、民间寓言是最基本来源和存在,它们构成了莫言艺术想象的基本层面;民间历史、民间形象、民间观念、民间情绪、民间历史态度,它们构成了莫言的民间写作立场及其另类存在艺术想象的高级层面。莫言虽然坚持民间写作立场,却始终没有驱逐道德的在场。相反,因为民间文化形态的丰富性和多元性,其创作的道德评判和价值言说也更加丰富和鲜活。Folk culture resources is one of the power houses of Mo Yan＇s artistic imagination,which is mainly reflected in two levels： folk stories,folktales,folk arts,folk customs and folk fables are the most basic origins and existences,and constitute the basic level of Mo yan＇s artistic imagination;folk histories,folk images,folk concepts,folk sentiments,folk historic attitudes constitute Mo Yan＇s folk-writing standpoint and the higher level of his alternative artistic imagination.Although sticking to the folk-writing standpoint,Mo Yan never expels the presence of morality.On the contrary,just because of the richness and diversities of folk culture patterns,his moral judgments and value propositions are of more abundance and aliveness.

关 键 词：莫言 艺术想象 民间资源 表现 

分 类 号：I206.7[文学—中国文学]