西汉彩绘女俑的美学研究  

Aesthetic Analysis of Colored Women Pottery Figurines of Western Han Dynasty

作　　者：陈莉[1] 

机构地区：[1]中央民族大学文学与新闻传播学院,北京100081

出　　处：《文化艺术研究》2010年第4期195-200,共6页Studies in Culture and Art

基　　金：陕西省教育厅科学研究计划项目"西汉帝陵文化中的美学精神研究"(编号:08JK182)

摘　　要：随着考古工作的不断进展,大量西汉彩绘陶俑展现在世人面前,丰富着人们对西汉美学精神的认识,尤其是西汉彩绘女俑以其独特的艺术魅力形成了汉代美学的另一个层面。本文梳理了西汉彩绘女俑的审美特征,并指出西汉彩绘女俑具有恬静、自然、含蓄的精神内涵,形成了西汉美学中的柔顺之美。这种美学精神与汉代雄浑、古拙的气势并行不悖,是对西汉黄老无为、宁静哲学思想的反映。With the fast development of the archeological work,many colored pottery figurines of the Western Han Dynasty welled up,which enrich people＇s understanding of the aesthetic spirit of the time.In particular,colored women pottery figurines provide another perspective of studying aesthetics of the Western Han Dynasty.This paper teases aesthetic features of colored women pottery figurines of the Western Han Dynasty and points out their spiritual connotation of tranquility,ease and implicitness as the beauty of effeminacy.Compatible with the forceful and crude manner at the time,the aesthetic spirit of figurines reflect the Taoist philosophy of inaction and peace.

关 键 词：西汉 女俑 恬静 美学 

分 类 号：K234.1[历史地理—历史学]