异曲同工——《戈泰龙》与《溪山行旅图》比较  

A Comparative Study of Balthus'Le Gotteron and Fan Kuan's Brook Mountain with Travellors

作　　者：卢家华[1] 王东[1] 钟甦[1] 

机构地区：[1]浙江工业大学之江学院,浙江杭州310024

出　　处：《兰州大学学报（社会科学版）》2011年第2期158-160,共3页Journal of Lanzhou University（Social Sciences）

摘　　要：通过《戈泰龙》与《溪山行旅图》的比较发现,巴尔蒂斯不仅从他自己的文化历史中吸取经验,也从东方传统文化中汲取营养,通过对物象背后真实的追问,他以画家特有的敏锐心灵发现了中国五代和宋代画家追寻的境界。A comparative study of the French painting Le Gotteron and the Chinese landscape masterpiece Brook Mountain with Travellors indicates that Balthus was inspired not only by his own tradition but also by the best of the oriental culture,and through probing into the essence of the things he achieved an extraordinary affinity with the Chinese artists of the tenth and the eleventh centuries.

关 键 词：巴尔蒂斯 范宽 《戈泰龙》 《溪山行旅图》 

分 类 号：J205[艺术—美术]