论《斯人记》的叙述策略  

On Narrative Strategy of Sirenji

作　　者：燕世超[1] 

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《池州学院学报》2011年第1期14-17,23,共5页Journal of Chizhou University

基　　金：国家社科基金项目"张恨水年谱"(10BZW091);安徽省社科规划项目"张恨水年谱长编"(AHSK07-08D117)

摘　　要：《斯人记》的叙述策略主要表现在:全知叙述与限知叙述的相互转换使叙述灵活自如,叙述者化身为作品中的人物产生身临其境之感,话语模式与对话艺术的衔接产生较强的语言张力,叙述频率与和合律的设置进一步深化了文本主题。这种叙述策略来自对前人小说和戏剧、电影艺术的借鉴,又有作者的独创和时代的原因。The narrative strategy of Sirenji mainly includes the following： The interchange of omniscience narration and limited narration makes the narration flexible;the narrator is incarnated as a character in the novels creates the sense of being personally on the scene;linking of discourse model and dialogue art produces language tension;the set of narrative frequency and concordance deepens the theme of the text.Reference of former novels,play and cinematographic art,and author＇s unique creation and contribute a lot to this narrative strategy.

关 键 词：叙述策略 叙述者 话语模式 叙述频率 和合律 

分 类 号：I206[文学—中国文学]