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作 者:刘洁岷[1]
出 处:《沈阳教育学院学报》2011年第2期11-14,共4页Journal of Shenyang College of Education
摘 要:阐述了黄斌诗歌在深幽的传统文化背景的笼罩下也同时是饱蘸、深纳了"现代性"的肌质—架构的诗歌。认为中国新诗的"多祖现象"与杂交基因在其诞生近百年的今天早该是一个常识,传统文化与现代性及全球化的紧张关系也绝非简单的几元对立。黄斌诗歌的一大特点是地域化——他的本土经验正是通过对古典的化用与地域化写作这两极同时展开的。黄斌诗歌选择了具体的、局部的、切身的诗歌构成方式,但通过对古典或地域的回望找到其信念般的形而上超越。通过黄斌的诗写,可以感知到新古典主义诗歌的神髓与新的生机。It is clarified that under the profound traditional culture background,Huang Bin's poetry deeply assimilates the "modernization" of construction.It is pointed out that the "multi-master phenomenon" of Chinese new peotry and hybridization should have been a common sense in its nearly a hundred years' birthday and the tension between traditional culture and its modernity as well as globalization isn't simply multiple opposition.One of the biggest characteristics of Huang Bin's poetry is localization—his local experience expands through the application of classics and localization writing.Huang Bin's poetry chooses specific,partial and suitable peotry construction way,but it finds belief-like metaphysical beyond through looking back of classics and underworld.Through Huang Bin's poetry,the essence of new classic peotry and its new vitality are sensed.
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