《乐府指迷》的理论价值及其词学史意义  

On XueFuZhiMi's Theoretical Value and Significance in Ci-Poetic History

作　　者：孙克强[1] 刘少坤[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《徐州师范大学学报（哲学社会科学版）》2011年第2期34-39,共6页Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)

摘　　要：沈义父的《乐府指迷》是南宋末期词发展到新阶段的理论总结,具有鲜明的词学价值取向和时代精神,包含了深刻的词学批评理论。《乐府指迷》正视词体发展至南宋中后期的现实,在词体的音乐性和书面化的关系、词体风格如何面对俚俗和古奥两种偏向等问题提出了深刻的见解,主张既要正视词体已经基本上成为书面文学形式的现实状况,又要尽可能地保持词体的传统的音律特性;对于词体风格,既反对俚俗,又批评古奥,提出了"文雅"、"含蓄"、"柔婉"的标准。更为重要的是,《乐府指迷》树立了以周邦彦词为理想的标准,对词体的发展以及后世词学史产生了深远的影响。XueFuZhiMi written by Shen Yi-fu is a theoretical generalization of the new stage of the development of Ci in the late Southern Song Dynasty.It possesses a distinct Ci-orientation and spirit of the age and contains profound critical theories of Ci.The book faces up the development of Ci in the mid and late Southern Song Dynasty and proposes deep insights in terms of the relationship between the musical quality and written style of the artistic work of Ci and the preference between slang and esoteric expression.It posits that we should not only respect the current situation that Ci has become a written form of literature,but also try to maintain the traditional musical quality of Ci.As for the style,neither gaudiness nor obscurity is preferable.Instead,it has established a criterion of being elegant,subtle and delicate.It is more important the book sets Zhou Bang-yan＇s works as the ideal standard,which exerts a far-reaching influence on the development of Ci and the history of Ci poetics.

关 键 词：《乐府指迷》 沈义父 词学史 

分 类 号：I207.23[文学—中国文学]