莫扎特三部喜歌剧中女仆的戏剧形象研究  

The Dramatic Image of Maids in Mozart's Three Comic Operas

作　　者：杨思慧[1] 

机构地区：[1]马鞍山师范高等专科学校艺术系,安徽马鞍山243000

出　　处：《长江师范学院学报》2011年第2期37-40,共4页Journal of Yangtze Normal University

摘　　要：莫扎特维也纳时期的三部喜歌剧中女仆角色作为第三等级的典型代表,人性的真善、虚浮在她们身上都能得到深切地反映,从她们身上透射出的人性特质可以说是集莫扎特"人性歌剧"之大成。研究这三部喜歌剧中女仆的戏剧形象特征,对于我们进一步认识莫扎特的喜歌剧作品及塑造这些人物的音乐形象都具有重要的现实意义。The maids in Mozart＇s three comic operas in his Vienna period are the representative of third-grade roles,through which the true,the good and the superficial of human beings are reflected.The study of the dramatic features of the maids in Mozart＇s three comic operas is of great realistic significance to our understanding of his opera works as well as the creation of the music images of the figures.

关 键 词：莫扎特 喜歌剧 女仆 戏剧形象 

分 类 号：J609.3[艺术—音乐]