作为语言的电影影像本体  

Image Noumenon as the Language of Film

作　　者：聂欣如[1] 

机构地区：[1]华东师范大学传播学院,上海200062

出　　处：《艺术百家》2011年第2期137-144,共8页Hundred Schools In Arts

摘　　要：在一般语言学中,"词"是构成语言的最小意义单位,麦茨的研究表明,电影影像不具有"词"的属性,影像在电影语言中的功能充满了疑问。通过对影像本体的研究,我们发现影像本体的构成可以分解成媒体和对象两个部分,人们分别对这两个部分进行不同程度的控制,从而造就了不同风格的影像。对于故事电影来说,控制的本身就是创作,因此影像的属性从一般所认为的客体变成了主体,是主体借用了物质客体来呈现自身,影像既不是纯粹的主体,更不是一般概念中的对象或客体,影像同时具有初级性和终极性、构词性和修辞性,由此,我们对电影言语的研究可以摆脱对于语言学理论的依赖,迈出新的一步。Commonly speaking,＂word＂ is the minimum unit of language. Metz＇s research indicates that film image does not take of an attribute of ＂word＂;then,what do images actually function in the film？ According to our concrete study,image noumenon could be dissociated from media or object. Various kinds of films are made out by different control of these two parts. For a feature film,＂control＂ is a kind of creation;therefore,image becomes a subject instead of an object. The subject presents itself through material object,thus image itself is neither purely a subject nor a so-called object. The image is either primitive or ultimate,and it functions as word-formation and a rhetorical device to some extent. Based on the above narration,we could forward a new step in film speech research independent of linguistic theory.

关 键 词：电影艺术 艺术语言 视听语言 电影语言 电影影像 艺术创作 艺术作品 

分 类 号：J902[艺术—电影电视艺术]