从典型作品看东方文学中的文化抵抗和本土情结  

Cultural Resistance and Localness Reflected in Classical Works of Eastern Literature

作　　者：徐溯[1] 杨小雨[1] 

机构地区：[1]北京大学政府管理学院,北京100871

出　　处：《广州广播电视大学学报》2011年第2期54-58,110,共5页Journal of Guangzhou Open University

摘　　要：本土情结和文化抵抗是东方文学乃至东方文化中的典型现象。从殖民主义时代到后殖民时代,从落后时代到赶超时代,东方文学伴随着国家和社会的发展发生了深刻的变化。东方文学中的文化抵抗和本土情结也发生了新的变化。从现代性的意义上看,文化抵抗内化为本土情结是东方文学现代性的一个重要尺度,我们以东方文学中获得诺贝尔文学奖的两部经典作品———埃及作家马哈福兹的"开罗三部曲"和南非作家库切的《耻》为范本,分析东方文学中的文化抵抗和本土情结,并从现代性的层面揭示在新的时代里东方文学可能的发展方向。One of the common themes dominating Eastern literature and even its culture is cultural resistance and localness, which reflects exactly the national and social transformation in the East from Colonial to Post-Colonial Period of Time. In a sense, one of the most important standards to measure the modernity of an Eastern work lies in the degree how much cultural resistance is internalized to be localness. This paper employs two classical Eastern works to illustrate this phenomenon, and in the light of modernity, endeavors to foretell a road for Eastern literature to develop in future.

关 键 词：东方文学 文化抵抗 本土情结 现代性 

分 类 号：I206[文学—中国文学]