唐代音乐观念的变化和词体兴起  

The Changes of Music Concept in Tang Dynasty and the Rise of Ci

作　　者：刘少坤[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《兰州教育学院学报》2011年第2期6-8,68,共4页Journal of Lanzhou Institute of Education

摘　　要："乐"在先秦时期还没有摆脱原始政治形态的崇拜。到了汉代,统治者为了粉饰太平与强化乐的宗经地位,加强了对"乐"的控制,此前的音乐观念完全是一种以政治需要的功利形态出现。而到了隋唐,贵族对俗乐不再严控,他们规范这些俗乐为九部乐、十部乐,并统归为"燕乐",并把它当成宴席间娱乐的工具。贵族们继续把燕乐声乐化,词体开始出现并兴盛起来。Music was a primitive form of worship consciousness in Pre-Qin Dynasty.Up to Han Dynasty,the rulers strengthened the control of music in order to sugar up reality and the music was a completely utilitarian forms and shapes needed by politics.In Sui and Tang Dynasties,the folk music was no longer controlled strictly and was divided into nine or ten kinds of music which was collectively called banquet music（Yan Yue） and was used as entertainment tool.With the development of vocal music of Yan Yue,Ci began to flourish.

关 键 词：音乐观念 唐代 变化 词体 

分 类 号：J609.2[艺术—音乐]