传媒时代的作家  

Writers in the Times of Mass Media

作　　者：吕晓春[1] 

机构地区：[1]鲁东大学文学院,山东烟台264025

出　　处：《廊坊师范学院学报（社会科学版）》2011年第2期9-12,共4页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：2009年山东省社科规划项目"信息传媒文化与当代文艺生产消费的新变"(09CWXZ04)成果

摘　　要：今天,大众传媒改写了文学的生态,对作家这一群体也产生了巨大影响。面对严酷的生存法则和传媒语境,作家身份开始衰落并出现异化,作家与传媒逐渐携手并进,作家"明星化"成为当下文坛的一道特殊风景。作家被关注依靠的不再仅仅是作品,而是传媒对他们的关注程度。文学奖的造势就是传媒与文学合谋的典型例证。在作家创作的自由度越来越高,自主性越来越强的信息时代,作家的社会责任意识却在趋于淡薄,许多作家更关心的是文字操演的技巧、作品的展示价值和经济收益。作家的主体意识急需重建。Nowadays mass media has greatly changed modes of literature and exerts its impact on writers. The status of writers, con- fronting severe rules of survival and harsh mass media environment, has descended gradually and even alienated. Some writers collaborate well with mass media, catapulting themselves into stardom, a quite spectacular thing in literary circles now. Works are not the only things people care about a writer, but how much mass media care about them. The way how Literary Award builds itself up is the typical conspiracy of mass media and literature. In such an information era writer＇s work with increasing freedom and in- dependence, writers＇ social responsibility awareness wanes inproportionally. They care more about how to produce eye-catching words, how to project their products to their favor and how much they can get from the market. Urgent is the need to reconstruct writers＇ subjectivity.

关 键 词：作家 身份 传媒 社会责任意识 主体意识 

分 类 号：I206[文学—中国文学]