北方游牧民族的刺绣造型艺术与多样文化  

On the Embroidery Plastic Arts and Diverse Cultures of the Northern Nomad

作　　者：张景明[1] 

机构地区：[1]大连大学美术学院,辽宁大连116622

出　　处：《大连大学学报》2011年第2期83-88,共6页Journal of Dalian University

基　　金：2007年国家社会科学基金艺术学项目(07BF35)"中国北方游牧民族的造型艺术与文化表意"成果

摘　　要：考古学资料中表明,在山戎创造的夏家店上层文化遗址中就发现有丝织品,但刺绣作品却是在匈奴文化遗迹中最早出现,一开始就显示出较高的制作工艺,在本民族造型艺术风格的基础上融有外来文化的因素,这种现象一直延续到近现代。从北方游牧民族造型艺术的发展历史看,大致经历了初始、发展、兴盛三个阶段,每一个阶段都有各自的制作工艺、纹样图案、艺术特点,并通过刺绣艺术表象反映出民族文化艺术的多样化内涵。Archaeological materials show that there are silk found in the top cultural sites of Xiajiadian created by Shanrong.But the embroidery first appeared in the cultural relics of the Huns,which showed a high craft.Based on the plastic arts style of its own nation,it blended the factors of foreign culture.And this phenomenon has been extended to modern times.Seen from the history of plastic arts of northern nomads, it went roughly through the initial,developing and prosperous stages,each of which has its own production process,design patterns,artistic features.The images of embroidery reflect the diversified connotation of national culture and arts.

关 键 词：北方游牧民族 造型艺术 刺绣 文化内涵 

分 类 号：J523[艺术—艺术设计]