迹象韵格,以舞道心——中国书法与舞蹈的美学共性探究  

A Study of the Common Aesthetic Character of Chinese Calligraphy and Dance

作　　者：任娜[1] 何琦[2] 

机构地区：[1]浙江传媒学院音乐学院,浙江杭州310018 [2]中国美术学院公共艺术学院,浙江杭州310024

出　　处：《美育学刊》2011年第3期113-117,共5页Journal of Aesthetic Education

摘　　要：以林怀民及其"云门舞集"为研究对象,着重探讨中国书法与舞蹈的美学共性,同时对这些美学特性的本质和形成渊源进行分析。认为,中国书法与舞蹈有着相通的时间观和空间观,从而由"迹"到"象"构成了书法与舞蹈的运动方式,体现出别具特色的动势美;中国书法与舞蹈都是以"艺"贯"道",千变万化的风格皆源于它们自身的节奏和韵律之美;中国书法与舞蹈之"体"皆来自于艺术家之"心",美妙的视象意境都是书家、舞者的心灵活跃所造化而成的。充分理解舞蹈美学的特点,有助于编导和舞者创造出美的空间调度、美的动作和美的艺术形象。This paper,based on Lin Huaimin and his ＂Yunmenwuji＂ Dance Group,mainly discusses the common aesthetic character of Chinese calligraphy and Dance and analyses the nature of the character and its source.The authors hold the position that Chinese calligraphy and dance share the common concept of time and space,which uses the mode of movement from ＂trace＂ to ＂image＂ and displays a unique moving beauty.Both Chinese calligraphy and dance apply their principles through art,and their various styles are all originated from their rhythmical beauty.The form of Chinese calligraphy and dance is derived from the artist＇s mind.Beautiful visual images are developed by calligraphers and dancers＇ artistic conception.The aesthetic interpretation of dancing art can help choreographers and dancers to create beautiful spatial dimensions,beautiful acts and beautiful artistic images.

关 键 词：动势 韵律 意境 

分 类 号：J701[艺术—舞蹈]