“口诵史诗”与“舞蹈史诗”——论周秦汉唐史诗形态及与郊庙祭仪之关系  

Oral Epics and Dancing Epics:On Acient Epic Typology and Linking with the God or Ancestral Ritual of Ancient Dynasties

作　　者：张树国[1] 

机构地区：[1]杭州师范大学古代文学与文献研究中心,浙江杭州310036

出　　处：《齐鲁学刊》2011年第3期107-114,共8页Qilu Journal

基　　金：教育部人文社科规划项目"汉-唐郊庙歌辞研究"(06JA75011-44024);国家社科基金项目"汉-唐国家祭祀形态与郊庙歌辞研究"(09BZW021)

摘　　要：古典史诗具有"口诵史诗"与"舞蹈史诗"两种形态。"口诵史诗"集中出现在西周初年,具有吟诵性、教训性及叙事性特征;而舞蹈史诗则从周初的"大武乐章"一直延伸到唐代,并与宗庙祭仪紧密结合,具有表演性、戏剧性和诗乐舞综合性的特征,是古代雅乐的重要组成,是天地、祖先祭仪中最富有艺术性的部分。舞蹈史诗具有与口诵史诗不同的表现力,更能体现中国古典史诗的民族特性。The ancient epics of China had two typology called oral epic and dancing epic. The oral epics emerged on the beginning of Western Zhou which had three characteristics： recite poetry, moral lesson and narration. The dancing epics, which was from the Dawu movement of Western Zhou to the beginning of Tang dynasty, was the most exciting part of God and ancestral ritual which also had three characteristic of performance and dramastic and synthesization of poetry with music and dance. The dancing epic gave more expression to the nationality of China＇ s ancient epic than the oral epic.

关 键 词：口诵史诗 舞蹈史诗 郊庙祭仪 

分 类 号：I207.209[文学—中国文学]