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作 者:童志祥[1]
出 处:《温州大学学报(社会科学版)》2011年第3期93-98,共6页Journal of Wenzhou University:Social Science Edition
摘 要:王小波的后期创作逐渐从《黄金时代》、《青铜时代》中的顽童想象走向《白银时代》中的智者想象。随着作家在创作过程中理性多于感性,观念大于形式,其想象精神也由起初卡尔维诺式的"轻逸"逐渐嬗变为鲁迅式的"凝重"。尤其是在受虐倾向、孤独情结、悲观意识等三个方面,王小波小说创作中(尤其是后期小说)的想象精神与鲁迅在《野草》中的想象精神,显然存在着一脉相承的关系。The imagination spirit of Wang Xiaobo's later creation had transferred from the urchin imagination in Golden Period and Bronze Age to the wise man imagination in Silver Time. In the creation process, Wang Xiaobo gradually preferred rationality to sensibility, and value to form. In the meantime, his imagination spirit was gradually transmuted from the initial Calvino's style of "lightness" to Lu Xun's style of "profoundness" Obviously, in the aspects of inclination to be abused, complex about loneliness and pessimistic consciousness, there is a successive relationship existing between the imagination spirit in Wang Xiaobo's novels (particularly in his later novels) and that in Lu Xun's Wild Grass
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