从《诗人玉屑》看近体诗对仗技巧  

On the Parallelism Techniques of "Jinti" Poetry from Shirenyuxie

作　　者：牛勇军[1] 

机构地区：[1]西南大学文学院,重庆北碚400715

出　　处：《四川文理学院学报》2011年第3期38-40,共3页Sichuan University of Arts and Science Journal

摘　　要：宋人魏庆之《诗人玉屑》卷七汇聚前人五七言律诗对仗技巧,列述"流水对"、"隔句扇对"、"当句有对"、"蹉对"、"借对"、"天生的对"格法数种,比较系统地介绍了宋人经常提及的对仗技巧,但对于每种格法的分析多语焉不详,缺乏深入探讨,仅列举诗例若干而已。试结合历代诗论著作,分析以上各种对仗格法。TheVol.7 of Shirenyuxie written by Wie Qing in Dynasty Song brings together the previous parallelism techniques of Chinese rhythm poem composed of five or seven characters.The monograph illustrates such couplets as ＂liushui＂ couplet,＂gejushan＂ couplet,＂dangjuyou＂ couplet,＂cuo＂ couplet,＂jie＂ couplet and ＂tianshengde＂ couplet.In the book,some skills frequently mentioned are comprehensively introduced;however,each skill is not so elaborated and only several cases are enumerated.In the paper,the above couplets are analyzed with the reference to different documents on poetry.

关 键 词：对仗 流水对 扇对 当句对 蹉对 借对 的对 

分 类 号：I207[文学—中国文学]