湖南地方戏《辰河高腔》的内在价值  

On The Intrinsic Value of Hunan local opera "Chen River Pitched Tune"

作　　者：熊晓辉[1] 

机构地区：[1]吉首大学师范学院

出　　处：《文史博览（理论）》2011年第4期26-28,共3页

基　　金：国家社科基金艺术科学课题"湘鄂渝黔边区少数民族艺术研究"(项目编号:05BA009)的阶段性成果

摘　　要：流行于沅水中上游地区的辰河高腔是湖南省一大地方戏,被学者及戏剧学家们誉称为"中国戏曲的活化石"。由于弋阳腔的传入,沅水中上游地区产生了辰河高腔,在当地,人们又把"佛"、"道"、"傩"等音乐唱腔运用在戏曲中,使辰河高腔在剧作内容、体式及风格上有自己的特色。传统的辰河高腔都带有强烈的政治性、颂忠谴奸的精神祈求,体现了善恶有报的伦理道德思想。从戏曲本身来看,辰河高腔已具有"写意"、"传神"、"虚实相生"的审美特征。Chen River pitched tune is a big local opera in Hunan province,which is popular in the upper reaches of Yuan River. It is hailed as ＂the living fossil of Chinese opera＂ by theater scholars and scientists. Since the introduction of Yiyang tune, it appeared Chen River pitched tune in the upstream area of Yuan River. In local region, ＂Buddha＂, ＂Dao＂, ＂Exorcism＂ and other music tunes were used in opera, so that the contents of Chen River pitched tune in the play and its form and the style have its own characteristics.Traditional Chen River pitched tune has a strong political tendency,the spirit pray of praising good and punishing bad,and it ~flects the ethical and moral thoughts that good and evil has been reported. From the opera itself, Chen River pitched tune has ＂freehand＂, ＂vivid＂ and ＂virtual and real＂ aesthetic characteristics.

关 键 词：辰河高腔 地方戏曲 内在价值 

分 类 号：I236.64[文学—中国文学]