崔颢诗的艺术追求  

Artistic Pursuit of Cui Hao's Poetry

作　　者：魏耕原[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《陕西师范大学学报（哲学社会科学版）》2011年第3期124-132,共9页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家211工程三期重点学科建设项目(2009)

摘　　要：崔颢早年以奇逸俊爽乐府歌行为主,在结构上千变万化,丰富了这一题材的创作手法。他的女性题材也丰富多样,表现手法、篇幅长短,灵活随心。后期"忽变常体",作了不少边塞诗,善于刻画边疆,描写紧张的情节与场面,以及异地民俗风情。他的诗不多,而歌行大篇却不少,且多叙事歌行,对元白长庆体有一定的影响。他的近体山水诗清壮俊逸,《黄鹤楼》炳耀盛唐,脍炙人口。他是盛唐诗人创作惟一可分为前后两期的诗人。In his early years of poem writing, Cui Hao mainly wrote graceful and pleasant Yuefu verse songs with varying structures, which greatly enriched the means of writing of this stock subject-matter. His female sub- ject-matters were also varied, flexible and natural in devices of expression and length of text. However, in his late days of writing, Cui ＂radically changed his regular style of writing＂, writing numbers of border poems, which showed the poet＇ s high craftsmanship in depicting the borderland, intense plot and exotic customs and styles. Cui didn＇ t write many poems but contributed numbers of lengthy texts of verse songs. His scenic poems were grandi and impressive, giving a grandeur of the prosperous Tang Dynasty.

关 键 词：崔颢 乐府歌行 女性题材 边塞诗 唐代诗歌 

分 类 号：I207.22[文学—中国文学]