雅可布逊时空论的多维阐释  

A Multi-Perspective Elaboration of Jakobson's Space-Time Theory

作　　者：赵晓彬[1] 韩巍[2] 

机构地区：[1]哈尔滨师范大学斯拉夫语学院 [2]哈尔滨工业大学外国语学院

出　　处：《俄罗斯文艺》2011年第2期76-82,共7页Russian Literature & Arts

基　　金：国家哲学社会科学基金项目<雅可布逊的诗学研究>(08BWW020)的阶段性成果

摘　　要：雅可布逊一生的语言学、诗学和符号学探索始终没有离开过对作为语言代码的时空因素的研究。无论是普通的语言代码还是语言艺术的代码,他对时空因素的理论探索始终伴随着对索绪尔的共时与历时的相对概念的解说及与之论辩过程。雅可布逊对时空的认识始于先锋派对克服静止、崇尚立体艺术的摇篮,伴随着现代普通语言符号学对共时与历时辩证关系的求索,在系统的考察声音和意义的诗学殿堂里日臻完善。鉴于此,我们需要沿着多维的路径来理解雅氏的时空理论。本文主要着眼于先锋派艺术、语言符号学以及诗学等不同视域,对雅可布逊的时空理论进行多维阐释。Roman Jakobson＇s study of linguistics, poetics and semiotics could never be separated from his research on spacetime factors of linguistic codes. Jakobson＇s space- time view was based on Saussure＇s concepts of synchrony and diachrony. Though he respected Saussure＇s identification of synchrony and diachrony, he regarded them as coexistent rather than contradictory. He lined up with the avant-garde and cubist artistic works for their persistent efforts to overcome static attitude toward time and space. He then searched for the proof of space-time co-existence by delving into poetry, which offers substantial evidence for sound and meaning inter-relationship. To represent Jakobson＇s multi-perspective research, this paper presents his space-time view also in a multiperspective way by including avant-garde art, linguistic semiotics, poetics, etc.

关 键 词：雅可布逊 时空论 先锋艺术 语言符号学 诗学 

分 类 号：H0[语言文字—语言学]