从就业制度的角度解读《绝对信号》  

Another Interpretation of Gao Xing-jian's "Absolute Signal"from Employment Policy

作　　者：罗长青[1] 

机构地区：[1]南京大学中国现代文学研究中心,南京210093

出　　处：《北京社会科学》2011年第3期63-66,共4页Social Sciences of Beijing

摘　　要：以往人们经常从艺术创新的角度评价《绝对信号》,却很少有人关注这部作品是如何反映当时社会生活的,这既不符合高行健本人"真实是文学颠扑不破的最基本的品质"的理解,也不符合艺术内容与形式相结合的必然规律。事实上,这部无场次试验话剧再现了1976-1982年间特殊的"接班"就业制度,逼真地刻画了青年们不同的人生道路抉择。It is said that ＂Absolute Signal＂ is an innovative work,but very few judges it by its reflection of social life.That view neither Gao Xing-jian＇s belif that basic and unchangeable quality of literature is real,nor reflects regular rules in combination of content and style in arts.In fact,this trial drama reproduces the unique employment policy from 1976 to 1982,and describes the decisions young people made when faced with different destinies.

关 键 词：《绝对信号》 高行健戏剧 就业制度 

分 类 号：I206.7[文学—中国文学]