论刘呐鸥小说中的女性形象  

On the Female Images in Liu Na’ou’s Novels

作　　者：秦安国 

机构地区：[1]江苏扬州大学

出　　处：《江西蓝天学院学报》2011年第2期80-83,共4页Journal of Jiangxi Blue Sky University

摘　　要：新感觉派作家刘呐鸥在《都市风景线》中塑造了一系列“现代尤物”的女性形象，她们以全新的主动姿态面对两性关系，把情欲当作游戏，将欲望投射于男性身上，消解了传统意义上的男权书写。同时，也反映了作家本人“恶之花”的女性观，并进一步折射出现代都市对女性的精神方向与情欲观念的羁绊与误导。Neo--sensualist writer Liu Na＇ou created in his novel ＂ Modern Metropolis Scenery Lines＂ a series of female images of modern stunners who plays a fresh and active role in facing sexual relationships and takes affection desires as games, eliminating the traditional patriarchic writing. Meanwhile, it reflects the writer＇s feminism of ＂ The Flower of Evil＂ and further mirrors the fetters and misleading that modern metropolis have on female spiritual orientation and the conception of affection desires.

关 键 词：女性 现代尤物 情欲 男权 刘呐欧 

分 类 号：I207.42[文学—中国文学]