论中国古代山水诗的神话色彩  

On the Mythology Feature of the Chinese Ancient Nature Poetry

作　　者：王惠[1] 

机构地区：[1]云南民族大学人文学院,昆明650031

出　　处：《中州大学学报》2011年第2期63-66,共4页Journal of Zhongzhou University

基　　金：国家社科基金项目"中国少数民族文学专题研究"(10BZW118)

摘　　要：神话是文学的源头,也是先民原始思维方式、审美意识形态和艺术创造规律的集中体现。山水诗的出现虽然相对晚近,体现了中国古人的理性思维发育,但却是继神话之后在文学创作上大自然的又一次人化。正因为如此,山水诗表现出强烈的神话色彩和感性思维特征;也正因为如此,山水诗获得了极高的审美品格和艺术成就。Mythology is the source of literature,but also is the centralized embodiment of primitive thinking mode,aesthetic ideology and artistic creation rules.The emergence of nature poetry which reflects the standard of ancient Chinese rational thinking development is relatively recent,but is the humanization of nature＇s once again after the myth on the literary creation.So the nature poetry shows intensively mythology feature and perceptual thinking characteristic;Also the nature poetry achieve aesthetic character and artistic achievement highly.

关 键 词：山水诗 神话 原始思维 

分 类 号：I207[文学—中国文学]