汉代京都大赋审美内涵的文化缺失  

The Cultural Deficiencies of the Aesthetic Connotations in The Capital Ode of Han Dynasty

作　　者：刘玉平[1] 

机构地区：[1]西华师范大学,四川南充637009

出　　处：《西华师范大学学报（哲学社会科学版）》2011年第3期4-7,共4页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：国家社科基金项目(07XZW007)

摘　　要：作为中国古代城市文学成形之作的汉代京都大赋,审美内涵存在明显的文化缺失。作家将城市之美物体化,普遍显示出重物轻人的审美取向,堪称城市灵魂的城市人的生存状态与精神面貌多被忽略。同时,作家外在于对象、物我分离的现象十分突出。而导致这种缺失产生的主要原因在于农耕文化精神的影响,汉代作家普遍缺少自觉的城市审美意识。As the forming works of ancient Chinese city literature,The Capital Ode of Han Dynasty had clear cultural deficiencies in its aesthetic connotations.The authors materialized the city＇s beauty,commonly displaying their aesthetic direction of regarding things highly and belittling persons and ignoring the city people＇s living conditions and mental outlook.The phenomena of parting subjects and objects stood out very much.The main reasons for the cultural deficiencies were the influence of the agricultural civilization and the absence of the city people＇s aesthetic mentality.

关 键 词：京都大赋 审美内涵 文化缺失 重物轻人 

分 类 号：I222.4[文学—中国文学]