从挣扎到屈服之路——唐婚恋传奇中男性形象分析  

From Struggle to Surrender——Analyzing the men’s image in the love stories of Tang Dynasty

作　　者：王卫[1] 

机构地区：[1]商洛学院中文系,陕西商州726000

出　　处：《延安大学学报（社会科学版）》2011年第3期71-75,共5页Journal of Yan'an University (Social Sciences Edition)

基　　金：商洛学院科研基金项目(09SKY034)

摘　　要：唐婚恋传奇所展示的美好爱情中,男性形象是不可或缺的重要部分。大唐多元开放的文化氛围,使男性可以放胆与各种身份的女子发生丰富多彩的浪漫爱情故事,但当落实到婚姻上,无不陷入了心灵追求与社会规范即情与理的矛盾之中。尽管他们挣扎过,但最终都屈服于强大的社会压力,故事往往也以悲剧告终。造成这种悲剧的原因是多方面的,有男女性格方面的负面因素,更有科举考试、门户偏见、等级制度、父母婚姻包办等方面的强大压力,故而他们在丧失了爱情的同时又承受着婚姻的不幸。Men＇s images are indispensable parts in many love stories of Tang Dynasty.The multi-cultural atmosphere of the Tang Dynasty enable men to have romantic love stories with ladies with different social status,but when it comes to marriage,they are subjected to the dilemma between heart pursuits and social norms.They have struggled,but finally they tend to yield to the social power,which makes their love stories end in tragedy.The causes for these tragic endings are multiple,such as the negative effects of their personalities,irresistible social power,etc.As a result,they lose their love and suffer the unhappy marriages,so it is unfair to impose all the punishment on them.

关 键 词：唐 婚恋 男性形象 

分 类 号：I206.2[文学—中国文学]