品特戏剧的私人空间与社会公共空间——以《房间》为例  

The Interaction of Public and Private Space in Harold Pinter’s Plays:A Case Study of The Room

作　　者：陈静[1] 胡宝平[2] 

机构地区：[1]合肥工业大学外国语学院 [2]华南师范大学外国语言文化学院

出　　处：《世界文学评论（长江文艺出版社）》2011年第1期112-114,共3页The World Literature Criticism

摘　　要：从品特戏剧中封闭的私人空间出发认定这些作者持非道德和非政治立场否定了私人空间的社会性。这些封闭的家居空间是品特表现下层人物生活,探讨种族话语、家庭关系与生存困境以及观照、批评20世纪中叶英国及欧洲具体的社会历史现实的重要手段。To assert, in view of his continued dramatization of closed private space, that Harold Pinter maintains an amoral andapolitical stance in his plays is to deny that private space is socially produced. Such closed domestic space is an important means to represent lower-class life reality, to explore racial discourse, domestic relationship and commonplace life problems, and to critique the soeio - historical reality in mid-20th century Britain and Europe.

关 键 词：家居空间 社会经济决 定种族话语 威胁 

分 类 号：I227[文学—中国文学]