我等故我在——评贝克特的《等待戈多》  

I Wait,Therefore I Am:On Beckett’s Waiting for Godot

作　　者：胡敏[1] 郭忠义[1] 

机构地区：[1]华东师范大学外语学院

出　　处：《世界文学评论（长江文艺出版社）》2011年第1期193-195,共3页The World Literature Criticism

摘　　要：在《等待戈多》中,贝克特阐明了人类生存的荒诞性。但是,此剧中的"等待"不仅揭示了等待之中人类的无望和无助,而且揭示了人类在等待死亡过程中面对百无聊赖和毫无希望时寻找希望的坚忍。因此,贝克特在《等待戈多》中表现的人类生存的荒诞性和法国存在主义的代表人物萨特和加缪有异曲同工之处。In Waiting for Godot, Beckett stages the absurdity of human existence. However, ＂waiting＂ in this play is not meant to merely illustrate hopelessness and inability, but to underscore human beings’ hope and perseverance in the face of ennui and futility while waiting for their death. In fact, it is this sense of the absurdity of human existence that Beckett shares with Sartre and Camus, the representatives of French Existentialism.

关 键 词：赛缪·贝克特 荒诞派戏剧《等待戈多》 存在主义 

分 类 号：I565.073[文学—其他各国文学]