桂林石刻诗歌在景点中的审美特征  

The Aesthetic Characteristics of Guilin's Stone Inscription Poems in Scenic Spots

作　　者：邹巧燕[1] 

机构地区：[1]广西师范大学文学院,广西桂林541006

出　　处：《桂林师范高等专科学校学报》2011年第2期64-67,共4页Journal of Guilin Normal College

基　　金：广西研究生教育创新计划项目"桂林石刻文化旅游研究"(项目编号:2009106020501M32)的阶段性成果

摘　　要：从唐代开始,石刻诗歌便出现在桂林的摩崖、岩洞中,成为桂林石刻的重要组成部分。经过不断的发展,石刻诗歌对桂林景点的审美已形成相对稳定、较为一致的评价,其在景点中的审美特征日渐突出。独秀峰"高耸擎天、拔地而起、一枝独秀"的形象,叠彩山"层峦叠锦彩、边陲辋川图"的特点,虞山"帝德泽边、百代犹思"的人文意义都是石刻诗歌集中呈现的特征。From the Tang Dynasty,Guilin＇s stone inscription poems have appeared in Guilin cliffs,caves,and become an important part of Guilin＇s stone inscription.With the continuous development,the poems have gained relatively stable and good evaluation and their aesthetic characteristics have become increasingly prominent in the scenic spots.＂The towering peak,rises sheer from level ground＂ is the image of Solitary Beauty Peak.＂The ranges of hills are splendor,Wang Chuan painting in the frontier＂ is the feature of Folded Brocade Hill.＂The virtue of the Emperor favors the frontier,keeping memory for generations＂ is the humanistic meaning of Yushan.All those characteristics are shown in the stone inscription poems.

关 键 词：桂林 石刻诗歌 景点审美特征 

分 类 号：I206[文学—中国文学]