“龙鳞装”与《刊谬补缺切韵》装裱关系考析  

Analysing The Relationship between ‘Dragon Scale-like Binding and Layout’ and Amendments to Qieyun Existent (Kan Miu Bu Que Qie Yun)

作　　者：单嘉玖[1] 王岩青[1] 

机构地区：[1]故宫博物院文保科技部

出　　处：《故宫博物院院刊》2011年第3期148-157,163,共10页Palace Museum Journal

摘　　要：龙鳞装是古代书籍从卷轴向册页过渡阶段出现的一种装帧形式,又称鱼鳞装,也有人叫旋风装。前者指展开的时候书页的排列序如鳞片;后者指卷收的时候动如旋风。也有人认为龙鳞装与旋风装是不同的装帧形式。本文从书画装裱角度探讨了"错缝裱法"的起源,分析了"龙鳞装"与《刊谬补缺切韵》的关系,认为"旋风装"与"龙鳞装"应该不是非此即彼的关系,而是书籍装订形式发展中的一种动态变化过程。It is generally believed that ‘Dragon Scale-like Binding’, or called ‘Fish Scale-like Binding’, or ‘Whirlwind Binding’ in some cases that came into being in the course of transition from scrolls to albums of volumes is one way to band the ancient books, but others insist that the designs of ‘Dragon Scale-like Binding’ and ‘Whirlwind Binding’ be different to each other.The former vividly pictures the layout of leafs as the dragon scale when outspread while the latter compares volume-scrolling to a whirlwind’s going on. However, this article views that any of them should not be absolutely defined in the way of Ether this or That, they all just demonstrate the dynamic evolution of bookbinding designs by studying the condition in which‘cuo feng biao fa’ (alternate mounting technique) was created from the perspective of mounting technique of calligraphy and paintings, and analyzing the relationship between ‘Dragon Scale-like Binding’ and Amendments to Qieyun Existent (Kan Miu Bu Que Qie Yun)

关 键 词：叶子 旋风叶 旋风册子 《二王等书录》《刊谬补缺切韵》 

分 类 号：J524[艺术—艺术设计]