连云港将军崖岩画中的原始农业文化解读与考证  

Interpretation and Research on Primitive Agricultural Heritage in Jiangjunya Petrogram in Lianyungang

作　　者：童永生[1,2] 

机构地区：[1]南京农业大学人文社会科学学院,江苏南京210095 [2]巢湖学院艺术系,安徽巢湖238000

出　　处：《南京农业大学学报（社会科学版）》2011年第2期124-131,共8页Journal of Nanjing Agricultural University(Social Sciences Edition)

基　　金：教育部人文社科研究规划基金项目(10YJAZH074)

摘　　要：目前学界有关连云港将军崖岩画的研究大多集中在考古学、民俗学、宗教学、艺术学等领域,对于岩画中的农业方面的研究虽有表述,但大多是零星的、不成系统。本文以现有的将军崖岩画考古资料为切入点,并与文献资料进行互证考察,从农神崇拜、农时天象、农业生产、畜牧生产等四个方面对连云港岩画中所反映的农业文化作综合解读与考证,考察远古时期连云港地区原始农业生产生活发展状况,探究原始宗教与原始农业文化之间的相互关系,揭示史前人类的精神文化和物质文化的发展水平,以及人与人和人与自然间的种种关系。The studies of Jiangjuya Petrogram in academic circles mainly concentrated on the fields of archaeology,folklores,religions and arts but its agricultural civilization was dismissed in passing,lacking systematic approach.From the angle of gods worship,weather changes,agricultural production and livestock farming,this article gave a comprehensive explanation and analysis on the agricultural heritage in Jiangjunya Petrogram.Taking the available archaeological data of Jiangjunya Petrogram as a point of penetration and confirming the data with literature mutually,the article investigated the development of agricultural civilization and living conditions in the primitive society in the region of Lianyuangang.The article also discussed the relationship between primitive religion and primitive agriculture for the purposes of exploring the status of prehistoric people＇s spiritual and material culture in Lianyungang and revealing the relations between persons and the relations between man and nature.

关 键 词：将军崖岩画 原始农业文化 解读 考证 

分 类 号：K87[历史地理—考古学及博物馆学]