倾听大地言说自然——论徐鲁的“小拇指童话诗”  

Listen to the Earth and Explain the Nature——On Xu Lu's "Little Finger Fairy Tale Poem"

作　　者：苏文清[1] 

机构地区：[1]江汉大学语言与文学研究所,湖北武汉430056

出　　处：《华中农业大学学报（社会科学版）》2011年第3期103-106,共4页Journal of Huazhong Agricultural University(Social Sciences Edition)

基　　金：湖北省社会科学基金项目"80后写作与青年亚文化"([2007]117)

摘　　要：运用生态文艺的批评方法分析了徐鲁的"小拇指童话诗",扩大了童话诗的阐释空间,揭示了其中深刻的思想内涵。徐鲁的"小拇指童话诗"是一种间性文本,即具有儿童诗与成人诗、童话诗与生态诗的间性特征的文本,仅仅从儿童文学的角度去解读是不够的。从生态文艺学的角度看,徐鲁以感恩自然的心态和更为贴近自然的感性视角描绘了人类诗意地栖居的唯美画面;其将地球看作一个活物、一个有机的生命整体的思想,与盖娅假说异质同构;其"小拇指童话诗"对大地的倾听,对自然的言说,是天、地、神、人4重整体的和谐共振,是生态文艺理论的成功实践。This paper analyzes Xu Lu＇s ＂little finger {airy tale poems＂ by criticism of ecological literature and art in order to expand the interpretation space about the fairy poetry and reveal the deep ideological content. This paper points out that Xu Lu＇s ＂little finger fairy tale poems＂ is a intersexuality text between children poem and adults poem, fairy tale poem and ecological poem. Therefore, it is not enough to interpret only from the perspective of children＇s literature. From the point of ecological litera- ture and art, Xu Lu describes the aesthetic pictures about poetical dwelling of the human with thanks- giving natural state of mind and with closer to nature＇s emotional perspective. His idea ,which regards the earth as a living thing and an organic entirety of life, has an isomorphism with Gala hypothesis. His ＂little finger fairy tale poems＂ listens to the earth and explains the nature , which is the harmonious resonance of Heaven, Earth, God and People and is also the successful practice of ecological literature and art theory.

关 键 词：童话诗 自然 栖居 生境 生态文艺 

分 类 号：I207.22[文学—中国文学]