我国文化产业博览会的现状、作用及特征  

Present State,Function and Characteristics of the Cultural Industry Fairs of Our Country

作　　者：洪振强[1] 

机构地区：[1]华中师范大学历史文化学院,湖北武汉430079

出　　处：《江汉大学学报（人文科学版）》2011年第3期12-18,共7页Journal of Wuhan Institute of Education

基　　金：国家社会科学基金艺术学项目"促进我国文化产业会展规范发展对策研究"[10BG069]

摘　　要：自2004年首届深圳国际文化产业博览会以来,我国文化产业博览会发展十分迅速,几有泛滥之势。这些文博会产生了较好的整体经济效益,对促进我国文化体制改革,促进我国文化产业发展以及促进举办城市经济和社会发展产生了积极作用。作为我国文化产业发展的新生事物,这些文博会体现出了政府主导、"大管小办"、"多管少办"、"官重民轻"、"务实"与"务虚"并存、同质化等特征,其发展需要进一步规范。Since the holding of the first cultural industry fair in Shenzhen in 2004, the fairs of this kind have developed rapidly, nearly with the tendency of abusing. On one hand, the fairs have produced relatively good overall economic benefits, and played active function of promoting the cultural system reformation of our country, the development of cultural industry of our country and the economic and social development of cities holding the fairs. As a newly-born product of the development of cultural industry of our country, the fairs are with characteristics of government＇ s guidance, ＂Da Guan Xiao Ban＂, ＂Duo Guan Shao Ban＂, ＂Guan Zhong Min Qin＂, coexistence of ＂Practical＂ and ＂theoretical＂, and homogenization. On the other hand, the development of the fairs needs to be standardized.

关 键 词：文化产业 博览会 文化会展 

分 类 号：G114[文化科学]