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作 者:申林[1]
出 处:《星海音乐学院学报》2011年第2期111-117,共7页Journal of Xinghai Conservatory of Music
摘 要:文章旨在通过对加拿大作曲家Michel D.Robidoux创作的多媒体音乐剧《Le itmotiv》中的典型电子音乐手段进行分析研究,从音乐语言本身出发,将20世纪的电子音乐创作潮流给这部音乐剧音乐创作所带来的影响和观念更新归结为:"‘具体’手法的使用"、"音响空间的营造"两大方面。同时,以此剧中的重要音乐结构概念"主导动机"为线索,一窥音乐剧在音乐语言创新和创作理念融合等方面的巨大潜力。Focusing on the multimedia musical Leitmotiv by Canadian composer Michel D. Robidoux, and through classification and analysis of the typical electronic music means used in it, the paper expounds the join of musical music and other new kind of music, and the innovations and development in musical language and performance. From the music language, the paper concludes that the influence and conceptual updating brought to this music dra- ma's creation by the electronic music trend started from 20th century are in two aspects: "the use of 'specific' strategy" and "the building of musical space". In the research, "leitmotiv", the most important music structural conception of the musical, is considered. With such an analytic clue of single musical, the paper attempts to show the huge potential possibilities of the musical in innovation of music language and amalgamation of creative conceptions.
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