略论西方音乐文化对中国二胡演奏艺术的影响  

Impacts of Occidental Music Culture on Chinese Erhu Performance Art

作　　者：杨松权[1] 

机构地区：[1]金华职业技术学院,浙江金华321017

出　　处：《绍兴文理学院学报》2011年第3期105-110,共6页Journal of Shaoxing University

摘　　要：中国二胡演奏艺术在上世纪发展迅猛,成果卓然。究其原因,主要得益于以刘天华为首的一批音乐家借鉴、吸收西方音乐文化及小提琴等西方弦乐器的演奏艺术成果,从而使二胡演奏艺术得到了全面、快速的发展。然而,在为二胡演奏艺术带来高速发展的同时,其负面影响亦已显现,二胡艺术的发展方向出现了偏差。因此,我们有必要理性地分析和评价西方音乐文化及小提琴演奏艺术近百年来对二胡演奏艺术发展的正、负影响。对外来音乐文化进行科学的分析和取舍,扬长避短,从而推动二胡演奏艺术的发展。The rapid development of erhu（Chinese violin） in the last century leads to the abundance of achievements.Erhu performance art is mainly developed by a group of musicians led by Liu Tianhua who have learned and absorbed Western music culture and the Western artistic achievements in string instruments such as violin playing.However,the rapid growth of the erhu performance art is accompanied by the negative effects,going in a wrong direction.Therefore,it is necessary to rationally analyze and evaluate the positive and negative impacts of Western music culture and violin playing on the erhu performance art in the past century so as to further its development in the new century by scientifically analyzing and selecting foreign music cultures and properly approaching their merits and demerits.

关 键 词：二胡 小提琴 音乐文化 演奏艺术 影响 

分 类 号：J632.21[艺术—音乐]